Ranger31 Jan 2007

The poeme suggests a postmodern analysis of the metaphysical limits of contemporary binary logic; through the title we can see that the afterlife is indeed a higher plane of existence, but the dread Halls of Mandos can only be accessed through an infinite fall. The implication of such spiritual reverse gravity is at once fascinating and haunting; this hauntology is similar to a certain exploration of Marxist theory and, for all its wonder, is bow'ls.