poemranker ::20 most recent comments by Dovina (4441-4460) and replies

Comments byDovina, 4441–4460 back, including replies. Only comments on poems

on Rainbow by TwilightDawned 5 Jul 2004, 2:38 PM
Rainbows don't flicker. Other images are inaccurate of language. It's a common theme and hard to do well.
on Urbane Jane by MacFrantic 5 Jul 2004, 2:35 PM
This is good. Good title.

Try removing "confined to" from "an air of vanity, thus giving her some choice.

"faltered ego" seems imprecise, maybe faulted.
replying on Paradelle of Progress by Dovina 5 Jul 2004, 2:27 PM
Very cute, but you're not following the paradelle form.
replying on Paradelle of Progress by Dovina 5 Jul 2004, 2:13 PM
It may not be worth the trouble.
replying on Revision by Dovina 5 Jul 2004, 2:13 PM
But it's such a dignified ritualistic passing.
replying on Translation by Dovina 5 Jul 2004, 2:10 PM
Thanks and welcome back. How was the beach?
replying on Translation by Dovina 5 Jul 2004, 10:21 AM
Assuming for continuation that all of your diatribe is true, how do you explain the girl's difficulty in making me understand her feeling?
replying on Paradelle of Progress by Dovina 5 Jul 2004, 10:17 AM
What may I do to impress you?
replying on Panic by Bobjim 5 Jul 2004, 9:44 AM
If you believed it a masterpiece, you would run in little circles, wave your arms and shout, "I'm insulted."
on Panic by Bobjim 5 Jul 2004, 9:34 AM
Cute.
on Paradelle of Progress by Dovina 5 Jul 2004, 9:14 AM
Note: The paradelle is one of the more demanding French fixed forms, first appearing in love poetry of the eleventh century. It’s a poem of four six-line stanzas in which the first and second lines, and the third and fourth lines, of the first three stanzas, must be identical. The fifth and sixth lines, which traditionally resolve these stanzas, must use all the words from the preceding lines and only those words. The final stanza must use every word from all the preceding stanzas and only those words.
Here I have presented only the first stanza, hoping to perfect all six stanzas into a monumental epitaph. I can then die having accomplished a worthy life’s mission.
on Tale of a mermaid by sanity 5 Jul 2004, 9:09 AM
I see the impassable path and your family's wrath, but not quite getting the last line. Was it really impassable?
replying on Translation by Dovina 5 Jul 2004, 8:53 AM
"Any information lost in the translation can only be meaningless"? How silly! All languages contain cultural shades of meaning that don't translate well, especially when trying to translate one of the "romantic" language into English. The poet in this poem, whose native tongue is Spanish, tried to aid my understanding of her meaning, but could do so only partly through her learned lanuage, English. For me, it was like seeing through a tarnished glass.
on Tapestry Years by Quarton 4 Jul 2004, 10:00 AM
What a great future! I think even the footprints in time blow away. A tapestry carefully woven and inevitibly unraveled.

Please see my comment on Time's End.
You're right, sorry.
I like it because it provokes thinking about the possible "illusion of order and substance."

Try leaving out "then" in the last verse.
Then why did you give it a 1?
on summers' dream by sanity 4 Jul 2004, 8:23 AM
Sane, yes. Interesting, sorta.
on Your sad goodbye by sanity 4 Jul 2004, 8:21 AM
I like the repeated line "Clouds above forming" with its shades of meaning, and rhyming lines 2 and 4. There must be a name for this.

"Echoes as we part" or "Your sad goodbyes to me"

on War of kites and fireflies by fevriere 4 Jul 2004, 8:15 AM
I love this. "War" doesn't seem right though for kites praying of fireflies. The fireflies can only try to dart away. Then as "letters" of birds reel above, it seems some connection with the first line is needed. Like "razed haze of high English summer"