on Ever Felt by nightii
24 Nov 2002, 11:39 AM
OBVIOUSLY YOU HAVEN'T
on Gilded Stumps of Olde (AN STORY THAT IS NOT AN POEME) by -=Dark_Angel=-, P.I.
23 Nov 2002, 11:31 PM
OH GOD MONKEY ISLAND POETRY
on "Why would I need to get in touch with you?" by Limness
23 Nov 2002, 11:28 PM
why not...write a poem about it?
on The Autopsy (as shown on Channel Four) by Nicholas Jones
23 Nov 2002, 8:31 PM
OH GREAT NOW I HAVE ANOTHER ERECTION.
replying on suicide lost the plot by T'ien
23 Nov 2002, 8:24 PM
Isn't me, I've had finals.
on Absence by newdawnfades
19 Nov 2002, 10:34 PM
IF IT WORKS KEEP IT IF NOT CHANGE IT. THERE ARE NO HARD AND FAST RULES TO ANYTHING WORTHWHILE. FURTHERMORE, JOY DIVISION FUCKING ROCKS THE FUCKING WORLD.
replying on Child of my Buttocks by -=Dark_Angel=-, P.I.
19 Nov 2002, 10:30 PM
STOP MASTURBATING FOR FIVE SECONDS AND REVISE YOUR POEMS, CUNTY
replying on boy girl by little_angel_maria
19 Nov 2002, 10:10 PM
WHAT DO WOODY ALLEN AND KODAK FILM HAVE IN COMMON? A (TINY) YELLOW BOX
replying on boy girl by little_angel_maria
19 Nov 2002, 10:08 PM
LOOK AT MY TINY WHITE BOX
replying on boy girl by little_angel_maria
19 Nov 2002, 10:07 PM
LOOK HOW TINY MY BOX IS
replying on boy girl by little_angel_maria
19 Nov 2002, 10:05 PM
FAG FAGGOTY MCFUCKFACE FUCKING GAY DICKLICKING COCK ASS ARAB STAPPING COCAINE FUELED MOTHERFUCKING COCKSUCKING ASS GROPING MICHAEL HUTCHENCE PINATA...SOMETHING (STRIKING A VAUDVILLIAN POSE THAT SAYS "TA-DAH" AND "TRUST ME IT'S FUNNY")
on untitled#3 by darby pyn
19 Nov 2002, 10:02 PM
INSERT WORDS YOU LEFT OUT. SERIOUSLY, IN THIS CASE EVERY FORMALISM IS YOUR GREATEST ALLY.
on confused by little_angel_maria
19 Nov 2002, 10:01 PM
ASSUMING THIS IS A JOKE. SORRY I MUST. WHY NOT DO A POEM ABOUT A MESSED UP ANGEL OR SOMETHING OTHER THAN SOME FAG CALLED 'LOGAN'
on Where Is Happiness by BUFFY0BSESSED
19 Nov 2002, 9:50 PM
GUHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
on It started with a kiss by little_angel_maria
19 Nov 2002, 9:46 PM
This exactly what I can't stand about girls. You reek of death and weakness. Some of you, some of the time.
on Wearing Black, as Memory Dictates by UnityMitford
19 Nov 2002, 1:58 PM
THERE'S THIS BEAUTIFUL PHOTOGRAPH OF HIM LEANING OVER TO SHAKE THE HAND OF A LITTLE BOY IN A CLASSROOM. THE HUMANITY AND LOVE IS UNDENIABLE. YOU DON'T SEE THAT PHOTOGRAPH VERY OFTEN.
replying on Haiku Gymraeg by Nicholas Jones
19 Nov 2002, 1:47 PM
OKAY SO IT SHOULD PERHAPS HAVE A CAPTION THAT SAYS "IF YOU DON'T KNOW WELSH IT DOESN'T MATTER, JUST READ IT ANYWAY". I AGREE WITH YOUR OPINIONS IN REGARD TO ENGAGING AN AUDIENCE - THIS IS PART OF THE JUSTIFICATION OF A WORK THAT I DISCUSSED. ALTHOUGH I GUESSED IT WAS WELSH I ACTUALLY THOUGHT IT WAS HIGHLY DISTORTED PHONETIC REDNECK. BUT THEN I DECIDED TO JUST READ IT ALOUD. IF IT WERE ANY LONGER IT WOULD SUCK, AND IDEALLY IT WOULDN'T MAKE USE OF A SPECIFIC POEM FORMAT - THAT'S MY MAIN CRITICISM - "HAIKU" IMPARTS FAR TOO MUCH UNINTENDED MEANING.
replying on Haiku Gymraeg by Nicholas Jones
19 Nov 2002, 1:44 PM
YOU MUST BE NEW HERE
replying on Haiku Gymraeg by Nicholas Jones
19 Nov 2002, 9:28 AM
I THINK ALL WELSH POETS COULD LEARN A VALUABLE LESSON FROM DYLAN THOMAS. I.E. INGLES POR FAVOR!! IN ALL SERIOUSNESS THOUGH I ENJOYED THIS POEM A GREAT DEAL. YOU DON'T DISCOVER MEANING WITH A DICTIONARY - A WORD IS MEANINGLESS IF ONLY DEFINED BY OTHER WORDS...SORT OF A GODEL INCOMPLETENESS TYPE DEAL...SO THEREFORE WHAT ONE IS LEFT WITH AS FAR AS MEANING IS CONCERNED IS ONE'S REACTIONS TO THE WORDS, AND A POEM LIKE THIS FORCES US TO LISTEN TO AND FEEL WHAT WE WOULD OTHERWISE PASS OVER IN SILENCE. FRANKLY THE PROPER MEANING OF A WORD IS INSIGNIFICANT TO ME MOST OF THE TIME - WHAT IS MORE IMMEDIATELY AFFECTING IS THE CONTEXT WITHIN WHICH THE WORD IS NORMALLY USED, THE SOUND THAT IT MAKES...THE VIBRANT AND VARIED SHADES OF MEANING WHICH DISTINGUISH YOUR WORD CHOICE FROM THE OTHER 100 WORDS YOU COULD HAVE USED IN IT'S PLACE IF YOU HAD GONE BY THE BOOK. IN THIS SENSE, POETRY, OR PROSE WITH DELICATE ECONOMY, IS A PROCESS IN WHICH WORDS ARE CHOSEN AND BY THIS ACT ALONE EXALTED. THIS PROCESS IS MADE ARTFULLY CLEAR IN THIS POEM, AT LEAST TO PEOPLE WHO DON'T KNOW WELSH, FAR MORE THAN IN MANY OTHER POEMS OF LENGTH OR QUALITY. IN THIS POEM YOU HAVE MADE THE POETIC PROCESS APPARENT, AND IN CHOOSING TO DO SO HAVE EXALTED THE POETIC PROCESS IN A TRULY ELEGANT AND UNIQUE MANNER - THE WORK IS SELF JUSTIFIED - BEAUTIFULLY SIMPLE AND SIMPLY BEAUTIFUL. SO IF YOU DIDN'T LIKE IT YOU'RE A COMPLETE FUCKWIT.
on Time to Kill by Shin-Bojangles
19 Nov 2002, 5:16 AM
PLEASE EXCUSE HIM - HE'S WELSH.