CommentsComments 24821–24840 back, including replies. Only comments on poems

Dovina replying on Archivist of Emotion by Dovina 14 Oct 2004, 5:28 PM
Illumined means illuminated. How is it forced?
thepinkbunnyofdoom on Archivist of Emotion by Dovina 14 Oct 2004, 5:24 PM
illumined? Its nice writing but it sounds a little forced. <3 Jason
thepinkbunnyofdoom on the monster by oneglove 14 Oct 2004, 5:12 PM
Reminds me of alot of Beowulf. I would have called it Grendel.
Last Stanza, "Allow 'Your' grace", other than that, a nice prayer. -8-
Dovina on Shattered by Aetius 14 Oct 2004, 5:05 PM
I agree that the punctuation is not needed. Haikus are supposed to be 5-7-5, thus the "There are" in line 2. But those words are so trite here that I'd omit them. Otherwise good.
Dovina on Library Window by steven adams 14 Oct 2004, 3:56 PM
In Verse 1, the two couplets seem unrelated until I get to the last line of Verse 2. The first 2 lines of Verse 2 seem choppy and wordy. It's a good thought, but you might want to consider rearranging the lines.
Dovina replying on Divorcing Tennessee by Dovina 14 Oct 2004, 3:36 PM
Thank you.
this is funny
BleedingRose replying on Poems of Love by BleedingRose 14 Oct 2004, 2:34 PM
um, it wouldnt rhyme(sp?)
steven adams on Divorcing Tennessee by Dovina 14 Oct 2004, 2:33 PM
The poem is wonderful. I am happy that you wrote this poem rather than thinking about some of these pointless comments.
Stephen Robins replying on Schisms by Dovina 14 Oct 2004, 12:16 PM
As -=D_A=-,P.I. recently expostulated, you leave your work so open to interpretation as to undo any actual impact of your confused use of adjectives. A brogue can not be a truth, a brogue is a reality and in its very form lies its beauty conceal withered heels and Bill Oddies clawed feet whilst at the same time conveying a sense of beauty to those who behold the mesmerising chimera of its ancient patterns.
Dovina replying on Schisms by Dovina 14 Oct 2004, 10:59 AM
You are too kind. I shall try as best my humble efforts can to incorporate your suggestion. BROGUEISM: In London pubs we listen For brogue truth we need While the pavement tells another tale Unthinkable, unseen Practicality plays to an empty house. Sneakered feet of distance walkers, Appreciated, not inspected Speaking truths to peasants To look with fashion eyes Clouded dim by lack of blisters Trust and obey We’ll show you the way
scitz replying on Feast On Me by cuddlytiger17 14 Oct 2004, 8:10 AM
Much better
scitz on Poems of Love by BleedingRose 14 Oct 2004, 8:08 AM
end last line with thats why i hate most poems of love better flow, good blast of words
Stephen Robins replying on Brogues are best by Stephen Robins 14 Oct 2004, 7:21 AM
A story unfortunate as I have heard, But yet t'would never have occurred, Had thou heeded the cobbler's word: "Listen now Master and thy feet gird, Not with shoes so plainly absurd, As Poulainnes or it will be inferred, That you are a huge festering turd"
Astounding.
Stephen Robins replying on One True Instant by Dovina 14 Oct 2004, 6:54 AM
Wilfred Owen was ruined for me by a bearded teacher whom in our third year (Really year 10? I didn't realise attending a Royal Grammar School meant you had the same form structure as Grange Hill) informed us all that Wilfred has a bum sexual who liked to receive it from Siegfried Sasson. Having recently reread Memoirs of Fox Hunting man I feel sure that Siegfried hunted both foxes and badgers but still like to believe that you don't have to be a massive homa to write good poetry. By the way, did you see that your old physics teacher was such a dunce he had to sit his GCSE Maths? I hope you never told people you went to a "public school" whilst at college and instead pointed out you went to a fee paying grammar school.
Stephen Robins on Schisms by Dovina 14 Oct 2004, 6:02 AM
A splendid juxtaposition. Answering as many questions as it poses, closing as many doors at it opens. A maginicent edifice upon which to build the real foundations of a splendid career in observational poetry. Not many people take on the whole God versus Darwin theme and fewer still succeed in such a candid and abstract formulation to illustrate the stark, and when highlighted, glaring similar differences. The whole poem revolves around the forest/record counter-analogy which is such a subtle play on the words as to probably escape the grasp of most rankers. Although a pithy crumb to offer up to an altar of omni-knowledge, I would like to highlight that there is a word which transcends the two halves of this poem. And that I am afraid is the brogue. Neither the creation, alone, of a deity nor the result of man's need to clad his feet, the brogue typifies the grey areas left untrammelled by your fine words. The brogue is an example of the expedience of evolution confronting the glory of ornate religion combining to suffuse the surface of an otherwise ugly, plain shoe with the beauty of a greater more magnificent entity. In summary I believe this poem would be better had you alluded to the brogues role in whole creation debate. I believe Darwin himself was a man clad from ankle to toe in the finest brogues from the whole of Northampton.
eliastemplar on Shattered by Aetius 14 Oct 2004, 2:43 AM
Excellent, but I don't think punctuation improves on haikus. Meaningful and thought provoking, friends are such rare and fragile things.
BleedingRose on Poems of Love by BleedingRose 13 Oct 2004, 10:12 PM
I have decided upon re-reading my own work that the main portion of this item was designed merely as a prolongment of my true message. As this goes against my belief in the truest qualities of communication, I have left only the portion that has ever had real meaning.